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Clearly

Clearly

Broken and leaded glass, steel, resin, and lead

60" Dia x 22" Deep

(2012)

Clearly

Clearly

Broken and leaded glass, steel, resin, and lead

60" Dia x 22" Deep

(2012)

Darkly

Darkly

Fused, polished, and beveled black glass, silicone, steel, paint, resin

42” Dia x 4” Deep

The Claude glass, a turn of the century devise, used by naturalists and impressionistic painters to compress and heighten color, has become a recent fascination. “Darkly” is a wall-mounted sculpture that exploits this fascination. A hundred cold worked and beveled pieces of fused glass are arranged and siliconed against one another. The resulting pattern results in a bewildering confrontation, almost as if staring through an insects eye. (2012)

Installation view

Installation view

Fused, polished, and beveled black glass, silicone, steel, paint, resin

42” Dia x 4” Deep

The Claude glass, a turn of the century devise, used by naturalists and impressionistic painters to compress and heighten color, has become a recent fascination. “Darkly” is a wall-mounted sculpture that exploits this fascination. A hundred cold worked and beveled pieces of fused glass are arranged and siliconed against one another. The resulting pattern results in a bewildering confrontation, almost as if staring through an insects eye. (2012)

To Capture Everything

To Capture Everything

Broken and leaded mirror, fiber glass, resin, steel, paint

88” Dia x 15” Deep

“To Capture Everything” is as much an experience as it is a sculpture. Delicately floating on the wall, leaded shards of mirror flirt with space and light: Fragmenting, distorting, and grasping imagery. Like a glutinous child in a candy store, the convex and highly reflective surface devours light, bending and shaping luminous streams into shapes resembling the mirrored shards themselves. (2010)

To Capture Everything

To Capture Everything

Broken and leaded mirror, fiber glass, resin, steel, paint

88” Dia x 15” Deep

“To Capture Everything” is as much an experience as it is a sculpture. Delicately floating on the wall, leaded shards of mirror flirt with space and light: Fragmenting, distorting, and grasping imagery. Like a glutinous child in a candy store, the convex and highly reflective surface devours light, bending and shaping luminous streams into shapes resembling the mirrored shards themselves. (2010)

To Capture Everything

To Capture Everything

Broken and leaded mirror, fiber glass, resin, steel, paint

88” Dia x 15” Deep

Detail. (2010)

Well

Well

Cast and polished glass

34” x 34” x 6”

A massive 300 pound casting of a simple object, a lens, allows the viewer to look through, as well as, consume the entirety of the gallery with ease as the entire 360 degrees is captured perfectly on the clear reflective surface.

Well

Well

Cast and polished glass

34" x 34" x 6"

Detail. (2010)

Matt-Looking-13.jpg
Attempt At Making a Lens

Attempt At Making a Lens

Cast, traditionally ground, and polished glass

17" x 17" x 4"

 

Attempt At Making a Lens

Attempt At Making a Lens

Cast, traditionally ground, and polished glass

17" x 17" x 4"

Clearly

Broken and leaded glass, steel, resin, and lead

60" Dia x 22" Deep

(2012)

Clearly

Broken and leaded glass, steel, resin, and lead

60" Dia x 22" Deep

(2012)

Darkly

Fused, polished, and beveled black glass, silicone, steel, paint, resin

42” Dia x 4” Deep

The Claude glass, a turn of the century devise, used by naturalists and impressionistic painters to compress and heighten color, has become a recent fascination. “Darkly” is a wall-mounted sculpture that exploits this fascination. A hundred cold worked and beveled pieces of fused glass are arranged and siliconed against one another. The resulting pattern results in a bewildering confrontation, almost as if staring through an insects eye. (2012)

Installation view

Fused, polished, and beveled black glass, silicone, steel, paint, resin

42” Dia x 4” Deep

The Claude glass, a turn of the century devise, used by naturalists and impressionistic painters to compress and heighten color, has become a recent fascination. “Darkly” is a wall-mounted sculpture that exploits this fascination. A hundred cold worked and beveled pieces of fused glass are arranged and siliconed against one another. The resulting pattern results in a bewildering confrontation, almost as if staring through an insects eye. (2012)

To Capture Everything

Broken and leaded mirror, fiber glass, resin, steel, paint

88” Dia x 15” Deep

“To Capture Everything” is as much an experience as it is a sculpture. Delicately floating on the wall, leaded shards of mirror flirt with space and light: Fragmenting, distorting, and grasping imagery. Like a glutinous child in a candy store, the convex and highly reflective surface devours light, bending and shaping luminous streams into shapes resembling the mirrored shards themselves. (2010)

To Capture Everything

Broken and leaded mirror, fiber glass, resin, steel, paint

88” Dia x 15” Deep

“To Capture Everything” is as much an experience as it is a sculpture. Delicately floating on the wall, leaded shards of mirror flirt with space and light: Fragmenting, distorting, and grasping imagery. Like a glutinous child in a candy store, the convex and highly reflective surface devours light, bending and shaping luminous streams into shapes resembling the mirrored shards themselves. (2010)

To Capture Everything

Broken and leaded mirror, fiber glass, resin, steel, paint

88” Dia x 15” Deep

Detail. (2010)

Well

Cast and polished glass

34” x 34” x 6”

A massive 300 pound casting of a simple object, a lens, allows the viewer to look through, as well as, consume the entirety of the gallery with ease as the entire 360 degrees is captured perfectly on the clear reflective surface.

Well

Cast and polished glass

34" x 34" x 6"

Detail. (2010)

Attempt At Making a Lens

Cast, traditionally ground, and polished glass

17" x 17" x 4"

 

Attempt At Making a Lens

Cast, traditionally ground, and polished glass

17" x 17" x 4"

Clearly
Clearly
Darkly
Installation view
To Capture Everything
To Capture Everything
To Capture Everything
Well
Well
Matt-Looking-13.jpg
Attempt At Making a Lens
Attempt At Making a Lens