
Clearly
Broken and leaded glass, steel, resin, and lead
60" Dia x 22" Deep
(2012)

Clearly
Broken and leaded glass, steel, resin, and lead
60" Dia x 22" Deep
(2012)

Darkly
Fused, polished, and beveled black glass, silicone, steel, paint, resin
42” Dia x 4” Deep
The Claude glass, a turn of the century devise, used by naturalists and impressionistic painters to compress and heighten color, has become a recent fascination. “Darkly” is a wall-mounted sculpture that exploits this fascination. A hundred cold worked and beveled pieces of fused glass are arranged and siliconed against one another. The resulting pattern results in a bewildering confrontation, almost as if staring through an insects eye. (2012)

Installation view
Fused, polished, and beveled black glass, silicone, steel, paint, resin
42” Dia x 4” Deep
The Claude glass, a turn of the century devise, used by naturalists and impressionistic painters to compress and heighten color, has become a recent fascination. “Darkly” is a wall-mounted sculpture that exploits this fascination. A hundred cold worked and beveled pieces of fused glass are arranged and siliconed against one another. The resulting pattern results in a bewildering confrontation, almost as if staring through an insects eye. (2012)

To Capture Everything
Broken and leaded mirror, fiber glass, resin, steel, paint
88” Dia x 15” Deep
“To Capture Everything” is as much an experience as it is a sculpture. Delicately floating on the wall, leaded shards of mirror flirt with space and light: Fragmenting, distorting, and grasping imagery. Like a glutinous child in a candy store, the convex and highly reflective surface devours light, bending and shaping luminous streams into shapes resembling the mirrored shards themselves. (2010)

To Capture Everything
Broken and leaded mirror, fiber glass, resin, steel, paint
88” Dia x 15” Deep
“To Capture Everything” is as much an experience as it is a sculpture. Delicately floating on the wall, leaded shards of mirror flirt with space and light: Fragmenting, distorting, and grasping imagery. Like a glutinous child in a candy store, the convex and highly reflective surface devours light, bending and shaping luminous streams into shapes resembling the mirrored shards themselves. (2010)

To Capture Everything
Broken and leaded mirror, fiber glass, resin, steel, paint
88” Dia x 15” Deep
Detail. (2010)

Well
Cast and polished glass
34” x 34” x 6”
A massive 300 pound casting of a simple object, a lens, allows the viewer to look through, as well as, consume the entirety of the gallery with ease as the entire 360 degrees is captured perfectly on the clear reflective surface.

Well
Cast and polished glass
34" x 34" x 6"
Detail. (2010)


Attempt At Making a Lens
Cast, traditionally ground, and polished glass
17" x 17" x 4"

Attempt At Making a Lens
Cast, traditionally ground, and polished glass
17" x 17" x 4"
Clearly
Broken and leaded glass, steel, resin, and lead
60" Dia x 22" Deep
(2012)
Clearly
Broken and leaded glass, steel, resin, and lead
60" Dia x 22" Deep
(2012)
Darkly
Fused, polished, and beveled black glass, silicone, steel, paint, resin
42” Dia x 4” Deep
The Claude glass, a turn of the century devise, used by naturalists and impressionistic painters to compress and heighten color, has become a recent fascination. “Darkly” is a wall-mounted sculpture that exploits this fascination. A hundred cold worked and beveled pieces of fused glass are arranged and siliconed against one another. The resulting pattern results in a bewildering confrontation, almost as if staring through an insects eye. (2012)
Installation view
Fused, polished, and beveled black glass, silicone, steel, paint, resin
42” Dia x 4” Deep
The Claude glass, a turn of the century devise, used by naturalists and impressionistic painters to compress and heighten color, has become a recent fascination. “Darkly” is a wall-mounted sculpture that exploits this fascination. A hundred cold worked and beveled pieces of fused glass are arranged and siliconed against one another. The resulting pattern results in a bewildering confrontation, almost as if staring through an insects eye. (2012)
To Capture Everything
Broken and leaded mirror, fiber glass, resin, steel, paint
88” Dia x 15” Deep
“To Capture Everything” is as much an experience as it is a sculpture. Delicately floating on the wall, leaded shards of mirror flirt with space and light: Fragmenting, distorting, and grasping imagery. Like a glutinous child in a candy store, the convex and highly reflective surface devours light, bending and shaping luminous streams into shapes resembling the mirrored shards themselves. (2010)
To Capture Everything
Broken and leaded mirror, fiber glass, resin, steel, paint
88” Dia x 15” Deep
“To Capture Everything” is as much an experience as it is a sculpture. Delicately floating on the wall, leaded shards of mirror flirt with space and light: Fragmenting, distorting, and grasping imagery. Like a glutinous child in a candy store, the convex and highly reflective surface devours light, bending and shaping luminous streams into shapes resembling the mirrored shards themselves. (2010)
To Capture Everything
Broken and leaded mirror, fiber glass, resin, steel, paint
88” Dia x 15” Deep
Detail. (2010)
Well
Cast and polished glass
34” x 34” x 6”
A massive 300 pound casting of a simple object, a lens, allows the viewer to look through, as well as, consume the entirety of the gallery with ease as the entire 360 degrees is captured perfectly on the clear reflective surface.
Well
Cast and polished glass
34" x 34" x 6"
Detail. (2010)
Attempt At Making a Lens
Cast, traditionally ground, and polished glass
17" x 17" x 4"
Attempt At Making a Lens
Cast, traditionally ground, and polished glass
17" x 17" x 4"











